She graduated in Literature (Bachelor and Degree) in 1993, from the State University of Campinas (UNICAMP), where he completed a Master's degree in Literary Theory and History (1996). PhD in Letters (Portuguese Literature) from the University of São Paulo (2001), her research was supported by FAPESP, which also supported twice (in 1997/1998 and 2000/2001) the Internship and Improvement Program Abroad carried out at the Faculty of Letters of the University of Lisbon. In 2002-2003 he completed his Post-Doctorate at the University of São Paulo, having participated in the Teaching Internship Program for New Doctors teaching the subjects Portuguese Literature III and Portuguese Literature IV in the Literature Course. With support from FAPESP, he completed two other Post-Docs, at Universidade Nova de Lisboa (2008) and at Universidade de Lisboa (2013). She is a PhD Professor at the Faculty of Philosophy, Literature and Human Sciences at the University of São Paulo, where she teaches Undergraduate and Postgraduate courses, supervises research at IC, Master's and Doctorate levels, supervises Post-Doctorate studies, participates, as an organizer and speaker, in Extension Programs and develops Representation and Coordination activities. She is leader of the Research Group "Poetics and Writings of Modernity (poem)" and main researcher of the research projects: "The poetry of Mário de Sá-Carneiro and Augusto dos Anjos and the writing of the self" and "Camilo Pessanha, Cruz e Sousa, readings of French symbolism and the poetics of modernity". Coordinates the Laboratory for the Study of Poetics and Ethics in Modernity (LEPEM). It maintains regular publications, in Brazil and abroad, in important magazines and periodicals in the area, in dictionary and books. He has experience in the Literature Area with an emphasis on Other Vernacular Literature and works mainly on the following themes: Poetry, Modern Lyrics, 19th Century, Symbolism, Generation of Orpheus. He is a member of Casa da Escrita (Coimbra/Portugal) and the E-LYRA Research Group (UPorto). CNPq Level 2 Research Productivity Scholarship (2014-2017).
2019 - Current The study of the sonnet: Italian "models" and the poetry of Jorge de Sena
Description: The sonnet model in Portugal has always been the Petrarchan style and it was in this model that poetic renewal took place, still in the context of modern lyrical renewal, with Nobre, Pessanha, Mario de Sá-Carneiro. On the other hand, the Shakespearean model was rarely composed, which Jorge de Sena considers and restructures, as well as the Italian model, as can be seen in Evidências (1951), a work in which the author brings together 21 of his sonnets. Initially, we propose to look at Sena's Poesia Completa, in order to investigate his affection for this type of composition and his almost obsession with significantly transforming a classic structure par excellence. To do this, it will also be necessary to study the origin of the sonnet, in 12th century Italy, and its development in the so-called Petrarchan and Shakespearean sonnets in the classicist context. dialogues.
2020 - Current The modern poem: "the muteness unleashed in language"
Description: This project, a continuation and extension of others previously developed, aims to investigate works that highlight thematic and aesthetic-formal aspects that are determinant of modern lyrics, which were then taken up and re-read by contemporary times, in order to formulate the concept that the modern poem is a living image, which, in turn, enables inter-arts dialogue. On the one hand, we consider poets that are familiar to us, such as Cesário Verde, António Nobre and Camilo Pessanha; on the other, poets to whose works we dedicate sparse and specific studies, such as Fernando Pessoa, Manuel Bandeira, Carlos Drummond de Andrade, especially based on the relationship established between the sayable and the visible, at the level of language and the Drummondian perspective that ?we are the Moderns / provisional, a-historical...?